An Artist's Quest

Posts tagged “painting

Still Life

Pomegranatesm

I have been busy, I feel like I’m always busy – I am in perpetual motion and while I proport to be an artist not enough of my time is spent making art. By far I spend more time promoting my art workshops, designing new workshops, writing about new techniques, and teaching than I do making. I am forever in an internal conversation about the balance of teaching and making. I do enjoy both and to be frank I couldn’t make a living on just the art – people hunger to open up their creative hearts and I love to help them through my workshops. But sometimes I want to make for the making, not because I’m going to teach a workshop and I need a sample, not because I’m going to write a magazine article and need to pitch an idea – just make. So, this week despite an anvils weight of anxiety about all the things I need to do for an upcoming workshop and art sale, despite the fact that there are always contacts I should be making and connections I should be deepening, and despite the absolute mess in my studio, despite all this I chose to make. And what do you suppose I chose to paint? A still life. What a wonderful term – Still Life.

Stillnoun -deep silence and calm; stillness – Synonyms quietness, silence, stillness, hush, soundlessness, noiselessness, calmness, calm, tranquility, peace, peacefulness, peace and quiet, serenity

Lifenoun – the condition that distinguishes animals and plants from inorganic matter, including the capacity for growth, reproduction, functional activity, and continual change preceding death – Synonyms existence, being, living, animation, aliveness, entity, sentience, creation

What an interesting parring – perhaps that is why artists are drawn to create a still life. Something in the tug between stillness and animation the juxtaposition of tranquility and change. A still life is capturing a quiet moment in the act of changing. The fruit will wither the flower fade the moment in between is caught up in the still life.

Unbeknownst to me – in the chaos of my week, my month, my year – still life called. Despite that fact that I didn’t have time for making this week, I didn’t have room for making this week- still life called. I’m so glad it did and I’m so glad I listened. The making of these two paintings calmed me, readied me, revived me. The stillness in the action brought me back into my body and breath and made me ready for this weekend’s teaching – this month’s selling and showing.

I give thanks to the universe for showing me this perfect persimmon, this fecund pomegranate and whispering in my ear to stop, to make and observe this quiet, abundant moment – to allow and honor – Still Life.

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Welcome

Welcome to Spring, welcome to this day, welcome to this moment. This is it! This is all there is! Invite this moment in, welcome it.

Welcome

Here is a new piece commissioned for the office at The Bishop’s Ranch retreat center office. I hope it welcomes the guest into the beauty of the moment and the wonder of life flowing in and around them.  24×48″ mixed media on wood panel


Giving Thanks for Steamed Pudding & Time

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I went for an early morning walk today. I was on a mission to pick persimmons to make steamed persimmon pudding. There are several persimmon trees here at The Bishop’s Ranch and as always there was an abundance of persimmons. Yesterday I noticed that most were gone or fallen to the ground, or pecked to the stem by grateful ravenous birds; birds who can’t believe their luck to find such a treat just days from a solstice dark night. This frosty morning I realized that if I don’t get some now I wouldn’t be able to make my Aunt Lorraine steamed pudding.

My Aunt Lorraine turned 90 this October and I brought her some stone hard persimmons as a gift. As a thank you she sent me her recipe for steamed persimmon pudding… and in her Christmas card I got this week she asked me if I’d made it yet. So you can see I felt duty bound to honor this women with the making of a steamed pudding!

As I often do I started making the recipe before reading through the entire directions. My batter was made before I realized I’d need a “6 cup greased metal mold” – opps – I could picture what I think I need, my grandma had all these copper decorative pans with fluted sides – I think that’s what I need – all I have is a Bundt pan – it will have to do. As I read on I realized I need to fit this Bundt pan into a large kettle – it just fits! Uh oh how do I get it out? I need to put water in the bottom of the pan… with a bit of kitchen twine and some knotting skills I managed to rig a string lift to check the water. Now I’m ready to go! What? “Steam for 2 ½ hours”. With time on my hands I did this little painting of some persimmons waiting on my windowsill. Still more time and I’m writing this blog and connecting with you… still 59 minutes to go, I guess I should clean the kitchen now. But not before I give thanks for persimmons, and family recipes, and the gift of time for this disorganized cook to paint and ponder and reach out to you.

Be well this holiday season and take time, however it presents itself, to give thanks for all the beauty and love swirling around the long dark nights and short crisp days of Solstice.

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This is my Aunt Lorraine’s recipe, I can’t say how it came out because it’s still on the stove… but the batter was tasty! 49 minutes to go and fingers crossed that I can get it out of the Bundt pan!


Knowing

A knowing look, a knowing smile…. the older I get the more I know I don’t know much. I don’t know the depths of someone’s pain, the meaning behind the smile, the gesture, the tone. The more I know the less certain I am of my certainty. That’s a good thing, I think. I’m teaching myself to be less judgmental, reminding myself I don’t really know what is behind or underneath the surface, that I can’t really walk in anyone’s shoes but mine. This painting is about the idea that the only way to know anyone or anything I must share myself – a laying bare, a nakedness, an openness. I’m thanking Eve in this painting; she is sharing the apple with me, telling me that to know any true thing at all I must share my true, naked self. I’ll try – the first bite is crisp and tart, sweet and juicy – like life, like love, like living.

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I am furiously painting for a November show at the Mendocino Art Center this Fall. This painting and more will be a part of my solo show there. The opening is November 11th 5-8pm if you happen to be a Mendocino resident I hope you’ll meet me there.

Check out my schedule of workshops for the next nine months – I hope you can join me and get your creative juices flowing. Creative Workshops


This is the Bed

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This is the bed- painted 38 hours after my father death

This is the bed my parents put into the dream house they built together when they were in their fifties – like I am now. And this is the bed they slept in, she on the right and he on the left for twenty-eight of their sixty-one years of marriage. This is the bed my dad rose from early every morning to walk the rural road beyond their driveway. He rose from this bed for his walk every day, rain or shine, in sickness and in health to, with few excepts, walk his goal. While that goal got closer and closer to home over the years, he rose from this bed just the same even deep into his journey with the cancer. This is the bed my father lay down on each night to sleep, and dream and hold my mother close. This is the bed I joined my father in during his last week to snuggle and keep him warm while he dozed. This is the bed, on Sunday night, that my husband and I lifted him into for his last earthly sleep. This is the bed my mother curled up beside him and held his hand and stroked his cheek and hummed and sang and sang and sang. This is the bed I sat my chair beside and joined my mother’s song to comfort his journey, to settle his body, to release his soul. This is the bed my husband sat beside to join the vigil, while I spooned my mother’s tired body, as we sang until finally we just hummed. We hummed a like a mother to a restless baby, an ancient tone of comfort, in this bed we hummed my father through the threshold of this life to the next. This is the bed my mother laid beside by fathers body, his spirit released, one last time till they came to take that ravaged, tired body away. This is the bed I wept in, sliding my body into the divot my father, my daddy, left behind still warm from his last corporeal moments on this earth.

My sweet, loving, obstinate, loyal, opinionated, talented, strong, generous, complicated father – Dodd Thorpe – died in the arms of his wife, at 3:23 am, Monday September 26, 2016. May his spirit live on in us!


Marking the Sweet Moments Last

 

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Every morning this week I have climbed in bed with my dad, it has been a sweet time while my dad dozes I sketch in my sketch book. Notice his feet bumps on the left side of the bed and mine on the right.

I’ve been up with my parents since Monday and will be here for the foreseeable future my Dad started on hospice this week. His pain is being managed – His energy is low but he continues to walk and sleep in his own bed with his wife of 61 years, for now he is eating and enjoying a iced mocha or a gin and tonic here and there. His sense of humor is good and his sense of peace at where things are is clear. When he came home from the hospital this last week he was full of tubes and bags, his quality of life has shrunk. He is sanguine, he feels he has had a good life, right now is a struggle and he is ready. The whole family is on board and supportive. We three sibs are rotating staying here to help in this journey to support both my parents and now getting some blessed extra support from hospice.

When asked by the social worker if he had anxiety or fears about what happens when he dies he recalled something a rabbi once told him “when a baby is in the womb he isn’t scared about what is next, there is a powerful commotion and one existence ends and another begins” that is how he feels- he is ready, this life has almost come to term. We are all here to help him and my mom, hospice is the midwife. What is next is unknown

We are all trying to just be present to deal with what is required in the moment, to enjoy, to joke, to cry, to laugh, to hug, to hold….

Thank you for your love and friendship out there in virtual community land. I know I am being held by your love and concern,
😢😊😍😞😳😘(range of emotion)
Lisa


Wandering, Wondering & Pondering the Eightfold Path

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The Eightfold Path from the Signs &Symbols Series 24×48″

I have been wandering and wondering both artistically and spiritually for a long time – probably my whole life. I am always working out a new puzzle trying a new technique and making it my own. In some ways that makes me a nomad in the art world. People ask “What do you do?” – what they want in reply is something they can get their head around like, landscapes, or still life, or abstract, or some medium they can pin me down on, but I never have a good answer. I am always trying new things and by the time my audience gets used to where I’m at I’m usually moving on. I don’t think this has helped my art career much. People here at the Bishop’s Ranch still tell me they miss my landscapes – and sometimes I’ll still paint a landscape for them – but after some 100 plus landscapes of the Ranch surrounds I was itchy to move on. Over the years I’ve explored printmaking, collage, encaustic, watercolor, fabric art and I have enjoyed them all and dug in deep enough to teach a class and share what I’ve learned. Right now I like the loose label Mixed Media artist. I doesn’t really mean much to anyone and that suits me fine – that way I’m never in a box I can’t paint my way out of!

Spiritually my trajectory has been more a meander than a direct path as well. I consider myself a Christian (I got baptized at the age of 23, a young adult wandering and wondering). I am a nodgie, scab-picking Christian – full of doubt and wonder at the same time. Over the years yoga and tai chi have offered me comfort in my times of need and I have come to enjoy what Buddhism has to share though I have barely scratch the surface of it’s depths. So when I stumbled upon Stephen Batchelor in a interview with the amazing On Being host Krista Tippit, his wandering and wondering spoke to me. He has published a number of books including Buddhism Without Beliefs and Faith to Doubt. In this interview (OnBEING interview with Stephen Batchelor) he spoke of the Buddhist core concept of the Eightfold Path. The Eightfold Path was taught by the Buddha and are as follows: right view, right aspiration, right speech, right action, right livelihood, right effort, right mindfulness, right concentration. While I was listening to the interview I began to doodle a folded roll of cloth, eight folds on top of each other, eight birds, eight growing plants. Later when I googled, eightfold path images they all came up as compasses with 8 crossing strands and ships wheels with 8 spokes. It’s funny how I didn’t see it as 8 crossing concepts but one concept folded in on itself, anyhow that is the origin story of this painting in my new series of work I’m calling Signs & Symbols. Like all the other artistic wanderings I’ve done I don’t know how long I’ll stay here but I feel like I have lots to learn and explore and I am excited to share that exploration with you.

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Detail from Eightfold Path

 

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