An Artist's Quest

Posts tagged “gelli print

From Red to Black to Green

 

after the fire

From the Flames Comes Growth 24×36″ acrylic paint on linen and stitch

I was asked the the Journey Center in Santa Rosa to create a art quilt addressing the upcoming one year anniversary of the Sonoma County fires.  Lately I have been doing a lot of botanical printing on fabric so it seemed like a natural fit to use leaves as my central metaphor. For the piece I used leaves from trees native to the oak woodlands that burned and remain a scar on the physical and psychic landscape. My piece starts at the bottom in a gradation of color. Each row depicts another point in the fire and the aftermath. The bottom row shows the green leaves of Valley Oak, Black Walnut, and Bay Laurel engulfed in the red and orange of flames, the next row the leaves and surround are all flames each row a progression from leaf to flame to ash to leaf again.  If nothing else the fire have taught us that nature is persistent she does not give up easily the green shoots and leaves push up through the charred earth, scorched black trunks put forth new shoots. The human spirit is equally on display – a will to rebuild with a new deeper knowledge of the importance of home and community.

after-detail2

Detail

My work and the work of many others will be on display at the Sonoma County Strong Quilt Show at the Journey Center1601 Fourth Street Santa Rosa, CA 95404. The opening is September 21st from 5:30-7:30 and the show runs til November 2nd.

 

 

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Paying Homage to Serenity

CAZ Quiltsmall file

I used plants and some bird stencils i cut to create this quilt the result is almost as peaceful as the swaying redwood home where it will abide

I’ve been working on this quilt for about a month now and just finished.  I decided I wanted to make a quilt for our summer bed at our cottage in the redwoods.  I wanted to the quilt to fit with the environment so I set up to do some gelli printing printing in my driveway deep in the Redwoods of Cazadero. I used only plants surrounding the house; ferns, bracken, maple along with some bird stencils I made to invoke our flickering feathered friends. I made about forty 12×12 squares in indigo, teal and grey. A couple of weeks later I set up my sewing machine with a quilting group on retreat at The Bishop’s Ranch and got to stitching. This quilt catches the peaceful feeling of our beautiful redwood home, full of tranquil inspiration, making a functional art piece in a place of a place – serenity all wrapped up in a humble quilt!

PS. I wish this photo was taken in the redwoods instead of at The Bishop’s Ranch but I didn’t want to delay in sharing this with you!

detail small file

detail of printed quilt squares

I’ve been teaching gelli printing on fabric at The Bishop’s Ranch where I’m the resident artist- and I have some workshops lined up with several quilt guilds in the coming year- if you would like to arrange a print on fabric class here at the Bishop’s Ranch or wherever you are- contact me on to start planning!


No Plans…a Hard Thing for a PRE-crastinator

265.gelli print collage

This collage in my Art Journal is the result of a morning of monoprint madness

I’m a pre-crastinator – that’s not a typo – I am the opposite of a pro-crastinator. This has its pluses and minuses. When you are a pre-crastinator like me you are always prepared and you always have a plan, and lots of times that is a great way to be. It can cause anxiety when a plan isn’t forming with others in my life or when I don’t have all the pieces together to get everything done. In terms teaching it is great because I always have the materials all set, my lesson plans printed, demos made hand outs ready etc all well before the class. But sometimes in art making, pre-crastination can block inspiration in the moment. So because of my proclivity for control I have forced myself to loosen up by working in mediums that have a life of their own. One that I have been re-exploring is mono-printing.

Mono-printing is where you ink up a plate (traditionally it was metal but I use a soft rubbery plate called a Gelli plate) then you create texture and interest with a variety of techniques. I have been using a tiny 4×6 inch gelli plate and creating a bunch of small prints in a color or textural theme. The size and the ease of the printing helps me break out of the plan and lets my inner pre-crastinator take a break. It’s easy to experiment and make 20 wee prints in a couple of hours. I have been printing on rice paper, tissue paper and book pages to great effect and when I’m done I have a stash pile of papers to play with – NO PLANNING REQUIRED!

Above is an example of play date I had with my gelli plate not too long ago. I took those pieces and cut them up to create this collage in my art journal. Pretty cool –right?

I guess the lesson is that it’s good to push up against your nature – your inner urges a little bit and make them uncomfortable, sometimes, something wonderful will come of it.

265b.gelli print collage

this collage uses more mono-prints printed on old letters, phone book and journal pages

PS. I’m teaching a Gelli print to Collage class and an Encaustic Collage class at Pokey Bolton’s Craft Napa event in January 2018 here is a link to info and registration. Sometime in July I’ll  post my fall 2017-2018 teaching line up for The Bishop’s Ranch – I hope I can meet you at one of those classes where you’ll meet my pre-crastinator self and maybe my inspirational pro-crastinator will come along for the ride too.