My time stamp exercise is continuing. I was visiting my sister in NYC in October and I wanted to mark the moment with a time stamp fabric collage or two. Having the challenge in the back of my mind during my visit made my eye more keen to the pattern, color and line of the place. With my handy phone/camera in my pocket I could snap away images to jump from once I was back in my studio. Two events stood out as inspiration for my fabric collage experiment with time and place. The first is a walk along the beautifully designed High Line. If you haven’t experienced this it is worth making happen –The High Line is a public park built on a historic freight rail line elevated above the streets on Manhattan’s West Side and every visual detail in attended to. Pattern, line and texture are all there and we were lucky to visit just after the completion of the Vessel. It is an extraordinary centerpiece of Hudson Yards where the High Line ends (or begins depending on your perspective). It is an interactive artwork in the shape of a hallow beehive with a spiral staircase that leads you 16 stories above the Hudson River – there seems to be a wide variety of opinions about the Vessel but I loved it. This piece is a tribute to it and our day.
This next one I’m trying to express the color, hustle and energy of Times Square. I struggled more with this one because it’s not my typical color palette and it feel a bit busy and overdone … but come to think of it that’s how Times Square feels too so maybe I marked the moment even if I don’t like the art. I suppose that’s just what a practice is about; pushing somewhere you don’t always go and finding a solution of some sort.
For those of you who have followed for a while you know that I’m am a wandering artist. Trying this technique and then that teaching what I learn along the way. Sometimes I lament that I’m not a Monet type, you know, painting my metaphorical lily pond every day. But I’m really more of a Picasso (not the boorish, misogynist part), just when my audience knows what they like about my work I change it. Lately I’ve been doing more stitch in my mixed media work, you’ve seen that in my most recent posts. When I first started art quilting, I was all about the machine stitch…. don’t slow me down just get it done. But increasingly I’ve been drawn back to hand stitch. A participant in a workshop gave me some feedback that having a hand stitch option for a workshop would be attractive to some people, so I set about making some examples to satisfy that request. What I didn’t realize at the time was that it would be also attractive to me, that in sitting down with needle and thread in a comfy chair with a podcast or music or friends that I would find a quiet beauty in the doing. Something different than the feeling of accomplishment at finishing quickly…. sometimes in my life I have measured my success by how quickly and efficiently I could complete a piece of work or art to my satisfaction. The act of slow stitching does not check off that box. I let my stitches be improvisational and move where they want to go, sometimes sparse and sometimes dense, complicated or simple; each section of the piece tells me what it needs. Adding this leisure and slowness to my work has added a richness, a texture and a fullness that was not achieved by the machine and by speed. The hand at work is evident, the art was clearly held, nurtured into existence.
I hope you can find your leisure in the doing. Perhaps its baking something special to bring to a friend’s house or maybe taking time to prune the roses in your yard of faded blooms, maybe even slowing down your power walk to hear the birds and watch the breeze sway in the trees.
Whatever it is be well, take care.
PS. I’m teaching a workshop about this Fabric Cut out technique in October – contact me if you want more information.
I’m on a bit of a new journey professionally. In the last year or so I have become more connected with the quilt guild world. They are an organized bunch and set aside time and money for speakers and teachers. Now I’m doing a bit of travel in Northern California mostly, to share my talents and hopefully inspire others to try new things in fabric and surface design. I have two lecture/trunk shows that I do; one is a surface design for fabric artists overview and the other is a deeper dive into designing your own fabric using photos taken with a smart phone. I’ll be sharing these techniques in Fort Bragg with the Ocean Wave Quilters and I felt like I needed another example for them to touch and see. To that end I started wandering around The grounds of The Bishop’s Ranch looking for inspiration (if you have been here you know that’s not hard to find). The lushness of the saucer-sized nasturtium leaves grabbed my attention first and and snapped a few close up photos. Then the bright and happy calendula flower beckoned next. The green and yellow orange spoke to me of bursting new life and an idea began to form. How about a mandala of spring life? The butterfly that had been fluttering around the edges confirmed my suspicion that I was on the right track and asked to be included in my design. I took my photos home played with them a bit in a few of my favorite photo manipulation apps then printed my designs right on my home printer within minutes I had my own fabric to begin designing my backyard mandala. Thankfully my son has a math brain and with a bit of calculating he easily helped me figure out the angle I needed to create an octagon. A lot of machine stitching later and some sore fingers from embroidery stitching through lots of layers I finished my ode to spring.
Take a moment today to acknowledge the wonder of nature around you, Find some way to let it influence your day and allow creation to sing it’s sweet song in your ear.
I have creative mixed media classes coming to spark your artistic fire and fuel new ways to make and create go to my website to see more.
adjective: scrappy – consisting of disorganized, untidy, or incomplete parts. Synonyms – feisty, tenacious, determined, persistent
This week I sat in with one of the many quilting groups that sets up shop at the Ranch. This group calls themselves “Ranch Hands” – they are an eclectic bunch of traditional, modern, and everything in between, quilters. Usually when I join in I’ll have a project I want to finish or a particular goal in mind but this week I didn’t have time or inclination to figure anything out so I just brought my sewing machine and some thread and decided to make something from the scrap table. For the non-quilters out there – quilters love their fabric, they buy it, store it, save it, use it then there is always some left over. Generally, not being a wasteful bunch, they don’t want to throw out their beautiful scraps, so they bring left over fabric in all sizes and place on the give away table. So the scrap table was my inspiration. Someone had brought an array of plaids. None of the swaths of plaid where larger than about 12 inches square– but there where a lot to choose from so I got busy picking my colors. In the mix there were just a few reds so that became the middle of my wonky, scrappy, blocks. I created 5 improvisational log cabin blocks using yellows and golds, and 5 more using greens all with a red square in the center. Once I had them all laid out I thought I should break from the plaid grid of the whole thing and put in some improvisational curves. The result was 10 squares part gold part green. Now a purpose emerged – I would put these all together in a long autumnal table runner. Going back the the scrap table I found strips of green with a circle print and they were already cut 3 inches wide! Onward I went backing, quilting and binding all from the bounty of the scrap table. My scrappy improv quilt fits the definition above: a bit disorganized and untidy but also wonderfully feisty and determined to become something from nothing. It was a pleasure to step away from a plan and just let inspiration rule the day. A good reminder that sometimes not knowing what you’re doing can lead you down an interesting path.
I was talking to a dear friend this week who is on sabbatical for three months from her highly demanding work as an episcopal parish priest in a large parish on the east coast. When I asked her what she was doing on her sabbatical she said jokingly but somewhat wistfully said “waiting for a vision”. She is ready for a change but not sure what or how or where. I know that feeling. We’ve all had it and always the question is what is the right next thing? I’ll tell you honestly I have never had a vision, I have never been totally clear of my next step, I have never been 100% confident that the path I’m on is the right one and yet I continue to wander on. I guess I’m comforted by the fact that every time a wander down an unknown path there is always another fork along the way. That this path I’ve chosen today has side paths and loops and other meanders. That’s all to say I just keep walking, sometimes it feels like I’m totally in the dark but I keep walking – vision or no vision.
I know I’ve talked to you all before about my rejection therapy approach to career development but it’s worth repeating here. I set a goal to be rejected every day in big ways and small ways. Start with the small ways like in the grocery store parking lot instead of walking the cart to the rack ask the person who just drove up if they want it… that doesn’t seem like much because it isn’t the worst thing that happen if they say no thanks or look at me weird and I have to walk the cart to the rack. But that little rejection therapy session just got me ready to submit an article to magazine for publication I ask myself “what is the worst thing that can happen?” well the answer of course is nothing happens -literally nothing- they don’t publish my article and guess what if I don’t send in the article they can’t publish the thing I didn’t do…. you get the idea it’s a bit of a “just do it” mantra. No visions required – say yes to yourself even if you don’t know how it will work out. Wander down a path even if you can’t see around the next bend, there is something there – just keep moving!
Here are a few rejection therapy things that have I’ve got in the works: continued freelance writing for Quilting Arts and Cloth,Paper, Scissors Magazines. I have a wonderful 5 page spread in the latest issue of Quilting Arts and an another article coming out in the Fall. I’ll be teaching at Craft Napa again in 2019, I’m in conversation with the Quilting Company to develop an online series of courses for them. I’m opening a gallery with three other women in Sebastopol, teaching at quilt guilds and retreat centers on and on…. I just keep moving I’m looking forward to seeing what is around the next bend.