An Artist's Quest

The Bishop’s Ranch

Backyard Mandala

butterfly mandala

I’m on a bit of a new journey professionally. In the last year or so I have become more connected with the quilt guild world. They are an organized bunch and set aside time and money for speakers and teachers.  Now I’m doing a bit of travel in Northern California mostly, to share my talents and hopefully inspire others to try new things in fabric and surface design.  I have two lecture/trunk shows that I do; one is a surface design for fabric artists overview and the other is a deeper dive into designing your own fabric using photos taken with a smart phone. I’ll be sharing these techniques in Fort Bragg with the Ocean Wave Quilters and I felt like I needed another example for them to touch and see. To that end I started wandering around The grounds of The Bishop’s Ranch looking for inspiration (if you have been here you know that’s not hard to find). The lushness of the saucer-sized nasturtium leaves grabbed my attention first and and snapped a few close up photos. Then the bright and happy calendula flower beckoned next. The green and yellow orange spoke to me of bursting new life and an idea began to form. How about a mandala of spring life? The butterfly that had been fluttering around the edges confirmed my suspicion that I was on the right track and asked to be included in my design. I took my photos home played with them a bit in a few of my favorite photo manipulation apps then printed my designs right on my home printer within minutes I had my own fabric to begin designing my backyard mandala. Thankfully my son has a math brain and with a bit of calculating he easily helped me figure out the angle I needed to create an octagon. A lot of machine stitching later and some sore fingers from embroidery stitching through lots of layers I finished my ode to spring.

Take a moment today to acknowledge the wonder of nature around you, Find some way to let it influence your day and allow creation to sing it’s sweet song in your ear.

I have creative mixed media classes coming to spark your artistic fire and fuel new ways to make and create go to my website to see more.

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Time Stamp #2

A couple of weeks ago I showed you the first in my “Time Stamp” series. These are small meditations on a moment. I’m trying to capture the feeling of a particular place and time not a literal image. So here is my second in this endeavor. A morning hike through Gina’s Orchard here at The Bishop’s Ranch revealed a clutch of wild iris, a little patch of purple in a sea of green. Here is my fabric collage marking of that moment.

4.9.19 Iris

4/9/19 7:45 am 181°S (11×14 printed, marbled, stamped fabric and paper stitched)


Salt Marsh Harvest Mouse

final quilt

A several weeks ago I showed you the first art quilt in a series about endangered species of Sonoma County; that piece highlighted the plight of Myrtle’s Silverspot Butterfly. This week I finished the second in my series featuring the very charming Salt Marsh Harvest Mouse. Just like Myrtle’s Silverspot, this little mouse is endangered mostly due to habitat loss but climate change and sea level rise are a problem for it too. It seems we humans are a most invasive species and I’m afraid the habitat loss is the main reason for most of these endangered critters. My next quilt will feature the California Tiger Salamander, maybe not quite as cute as the mouse or beautiful as the butterfly, but charming in it’s own way. Look for that in the coming weeks.

I hope you notice the hand printed and marbled fabrics I used in these quilts, I have some upcoming workshops to introduce you to stamping and marbling fabric check out my website for more info.


Time Stamp

Yesterday I went for a hike here at The Bishop’s Ranch as I often do. Usually my main goal is to exercise and I move with a pace. This time, however, I wanted to soak it in, take the earbuds out, listen to the breeze and birds, feel the morning mist, take note of the colors – in short be more present. It was a glorious morning full of greens and blues with a splash of yellow in the buttercups and rusty brown in the decaying tall grasses at the lake edge.  The tsicka-dee-dee of a Oak Titmouse told me I wasn’t the only one enjoying the sunny morning. Walking back I carefully plucked a fist full of Buttercups and Maidenhair Fern to using to print in printing on fabric. I had the idea to make a “Time Stamp” of this place and time. Not a literal representation but an impression, a feeling, a response. So here it is…

TIME STAMP: 3/29/19 8:47am facing 247° W facing the lower lake at The Bishop’s Ranch

3-29-19 lake hike

Time Stamp #1 (11×14″ paint, stamp and stitch)


The Art of the Problem

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I’m a problem solver. That’s who I am. If someone asks me if I can do something I usually say yes even if I don’t know how – yet…figuring it out is half the fun. For me art is like that. That’s why I’m forever trying out new mediums and materials, I want to figure it out and make it my own. When I have an idea to convey or a feeling to share I have to find a way to create it in physical, visual form. After my series of bird collages (see my last post), I was invigorated to set a new challenge.  I have decided to do a series of 24×36” fabric collages depicting endangered species of Sonoma County.  FUN! I have a new problem to solve. First, I had to do my research, make a list of endangered species in my area, then decide which to start with.  I chose the diminutive Mrytle’s Silverspot Butterfly found only on the Sonoma/Marin coast. I wanted my work to be informative but not completely literal and of course it has to be visually pleasing.  I also decided I only wanted to use fabrics that I have dyed, printed or stamped myself.  My butterfly subject helped me choose the color scheme.  Orange, rust and black from the butterfly and tans, and lavender and blue for the coastal bluff where they make their home.  I got to work marbling, stamping a dying fabric. For the butterfly images I used my iPad to create a digital watercolor that I printed out on cotton from my home printer. Once I had all my fabric, I began to lay out my composition. This is what I came up with.

I had so much fun with myself imposed problem I have started on my next subject – the very charming Salt Marsh Harvest Mouse – now I’m thinking green, grey, brown and blue thoughts while I puzzle over this next riddle. I promise to show you when I’m done.

I’m teaching several surface design and mixed media workshops in the coming weeks, check out my website to see if you can join it the fun! Upcoming creative workshops


Allowing Failure to Lead You

I haven’t blogged in a while – I’ve gotten out of practice. The end of the year was busy with teaching and holiday’s and visitors. And the beginning of the year was busy with teaching and visitors and all the busy-ness of life. This past week I decided to create space for a making week. Not prepping for classes, not writing a magazine article, not preparing for a show – just making. For a long time now, I have felt that my creative endeavors are bifurcated. I have my paintings and mixed media work and I have my fabric work. My roots are deep into textiles and stitch but in the last 25 years my focus has been more on paint and collage. In the past 10 years I have been dipping more frequently into my fabric art persona connecting to the vast next work or quilters and quilt guilds. My one goal in my play date with my studio was to create something in the medium of fabric that is in the same voice as my paint/collage work.

To that end I set out sketching and planning. I dyed and printed, stitched and pieced, quilted and embroidered. After 4 days of this I stepped back and didn’t like it. I really didn’t like it. The scale was wrong the colors weren’t working, my heart sunk, my plan – kaput! I lay the three-foot by four-foot piece across my dining table and decided to sleep on it. In the morning it was clear to me that I needed to cut it all up and let go of my plan. I got out my ruler and rotary cutter and cut the piece up into 11×14 inch rectangles. I didn’t cherry pick, I just cut. All along I had planned to put wrens on my piece. I had already printed out my watercolor wrens onto cotton fabric and they told me they still wanted in on this piece. I pulled out two bins full of printed and stamped fabric from past adventures and let them talk to me. I started composing. Word from a psalm in that Sunday’s church service found their way in, a snippet of sheet music called out. A favorite rubber stamp I’d carved years ago of a bird in flight stated firmly it need to be included. My studio exploded – I worked furiously, with energy and joy and perhaps most importantly – no plan. I will say I am in love with these fabric collages. They feel like me. They feel like home, they feel real.

I am so glad I allowed myself to the space and time to create. I am so glad I allowed myself the space and time to fail. I am so glad I allowed myself the space and time to find contentment and my mature voice in this medium. Now my synapses are firing and tingling. What about natural dying? What about rust prints? What about a series on endangered species in Sonoma County? Oh the possibilities!

Take time for your own creative self. Let yourself fail, brood about it, then make something of it – remember that joy is meaningless without knowledge of struggle.

JUST GET OUT THERE AND MAKE YOUR ART


My Life is a Wagon Wheel

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Huginn & Muninn mixed media on wood panel 24×48″

My life is a wagon wheel. What? A wagon wheel? Now hear me out. Those of you who have followed me for a while know, I am an artistic nomad – mixed media, encaustic, collage, painting, fabric art, quilting, clothing design. Sometimes I wish I could just stick with one thing. Maybe if I stuck with one thing, I would get really good at it, right? Focus for heaven’s sake! Find my inner Monet and paint a lily pond or hay stack over and over. I guess it’s obvious I’m no Monet, but I do love to make and create. If I don’t have a creative outlet, I’m a bear to live with, just ask my family. So here is my wheel analogy. Creativity, creative forces (perhaps God even?) is the center of the wheel. I am on the outer rim and each spoke of the wheel is a way in. I have to think and problem solve and imagine and create my way to the center. So each endeavor gives me another slice of my creative center, each attempt gets me closer to the whole or at least I’m betting on it working that way because that is who I am. Even if sometimes it is crazy making to juggle all these balls maybe one day one of those balls will plop down on my head and say “concentrate on me, go down my spoke only” but until then I will keep rolling on my wagon wheel theory of life.

This is a way to show you some of the things I’ve been working on – you may have noticed that I’m not walking down the blogging spoke of the wheel as often as I used to, here are a few reasons why.

Teaching:

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 workshop making icons for All Souls day at Incarnation Church in Santa Rosa

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2 day workshop creating Guardian Angels at The Bishop’s Ranch.

Writing:

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My latest article in Quilting Arts Magazine on creating fabric by the yard from small mono prints. Purchase magazine

Making: (see ravens at top of article)

4.mother bear SM

Mother Bear mixed media collage on canvas panel 11×14″

5.Home is where the heart is small

Art quilt part of a challenge donation put out by Quilting Arts magazine to give as gifts to homeless folks transitioning to permanent housing. 14×14″

Entrepreneurial endeavors:

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My work at Gallery 300 at The Barlow in Sebastopol CA

7. family art sale

Me, my print maker son Ivan, and blacksmith husband Jack at our Family Art Sale at The Bishop’s Ranch

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My line of Cashmere and Modal Scarves go to my website to see detail pictures and to purchase – Website

WOW- that’s a lot even for me! I’m always looking for new places to teach and share my creative energy so if you have any ideas for me let me know. Soon I’ll catch you up on my workshops in 2019.