An Artist's Quest

teaching art

Prepped & Ready

277c.

Example of encaustic collage piece to inspire this weekends participants

I’m teaching a two-day Encaustic Collage workshop this weekend at The Bishop’s Ranch where I am the Resident Artist.  This class is one I’ve taught many times, so I have a good idea of how to organize the space and materials for success. One thing that I think makes everybody happy is to have things arranged and ready to get creative.  While the creative process itself can sometimes feel magical and loose, for me at least, the magic comes from having everything in order, so my mind is free to be inspired. I try hard to give that balance to my students too, I want everything to be at their fingertips with stimulating materials and careful demos to guide them to finding their genuine, creative voice in a new medium. Wish me and my 12 art adventurers luck!

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Examples and demos all ready and materials laid out in orderly chaos!

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Each student’s place is ready with materials and instructions to get started!

In the busy mix of the weekend I’ll try to take some action shots of my students at work to share at the end of the weekend. Hope you make some time for your creative self too!

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Waiting for a Vision – but while your waiting get busy!

276.QA Mag

I have a nice 5 page spread in the latest  Quilting Arts Magazine

I was talking to a dear friend this week who is on sabbatical for three months from her highly demanding work as an episcopal parish priest in a large parish on the east coast.  When I asked her what she was doing on her sabbatical she said jokingly but somewhat wistfully said “waiting for a vision”. She is ready for a change but not sure what or how or where. I know that feeling. We’ve all had it and always the question is what is the right next thing? I’ll tell you honestly I have never had a vision, I have never been totally clear of my next step, I have never been 100% confident that the path I’m on is the right one and yet I continue to wander on. I guess I’m comforted by the fact that every time a wander down an unknown path there is always another fork along the way. That this path I’ve chosen today has side paths and loops and other meanders.  That’s all to say I just keep walking, sometimes it feels like I’m totally in the dark but I keep walking – vision or no vision.

I know I’ve talked to you all before about my rejection therapy approach to career development but it’s worth repeating here. I set a goal to be rejected every day in big ways and small ways. Start with the small ways like in the grocery store parking lot instead of walking the cart to the rack ask the person who just drove up if they want it… that doesn’t seem like much because it isn’t the worst thing that happen if they say no thanks or look at me weird and I have to walk the cart to the rack. But that little rejection therapy session just got me ready to submit an article to magazine for publication I ask myself “what is the worst thing that can happen?” well the answer of course is nothing happens -literally nothing- they don’t publish my article and guess what if I don’t send in the article they can’t publish the thing I didn’t do…. you get the idea it’s a bit of a “just do it” mantra. No visions required – say yes to yourself even if you don’t know how it will work out. Wander down a path even if you can’t see around the next bend, there is something there – just keep moving!

Here are a few rejection therapy things that have I’ve got in the works: continued freelance writing for Quilting Arts and Cloth,Paper, Scissors Magazines. I have a wonderful 5 page spread in the latest issue of Quilting Arts and an another article coming out in the Fall. I’ll be teaching at Craft Napa again in 2019, I’m in conversation with the Quilting Company to develop an online series of courses for them. I’m opening a gallery with three other women in Sebastopol, teaching at quilt guilds and retreat centers on and on…. I just keep moving I’m looking forward to seeing what is around the next bend.

 


Paying Homage to Serenity

CAZ Quiltsmall file

I used plants and some bird stencils i cut to create this quilt the result is almost as peaceful as the swaying redwood home where it will abide

I’ve been working on this quilt for about a month now and just finished.  I decided I wanted to make a quilt for our summer bed at our cottage in the redwoods.  I wanted to the quilt to fit with the environment so I set up to do some gelli printing printing in my driveway deep in the Redwoods of Cazadero. I used only plants surrounding the house; ferns, bracken, maple along with some bird stencils I made to invoke our flickering feathered friends. I made about forty 12×12 squares in indigo, teal and grey. A couple of weeks later I set up my sewing machine with a quilting group on retreat at The Bishop’s Ranch and got to stitching. This quilt catches the peaceful feeling of our beautiful redwood home, full of tranquil inspiration, making a functional art piece in a place of a place – serenity all wrapped up in a humble quilt!

PS. I wish this photo was taken in the redwoods instead of at The Bishop’s Ranch but I didn’t want to delay in sharing this with you!

detail small file

detail of printed quilt squares

I’ve been teaching gelli printing on fabric at The Bishop’s Ranch where I’m the resident artist- and I have some workshops lined up with several quilt guilds in the coming year- if you would like to arrange a print on fabric class here at the Bishop’s Ranch or wherever you are- contact me on to start planning!


Spring Has Sprung

9.Cala Lillies in April

Fabric photo montage of Cala Lilies at The Bishop’s Ranch

The birds are full of ideas. I watched pair of sparrows with straw in their beaks searching for a perfect nesting spot today. The bees as I walked down the wisteria laden arbor here at the Bishop’s Ranch are also full of ideas. Their busyness got me full of ideas as well. I’ve been admiring the Cala lilies along the Ranch house walk for a few weeks and realized I better get busy if I was going to catch them before they start to fad. So I snapped a bunch of pictures on my phone and wandered off wondering what next. So like the birds and the bees I got a creative idea too! I printed about 12 of my Cala lily photos onto printable cotton and with a bit of inspiration from the early photo collage work of David Hockney got to work on this fabric collage of Cala Lilies at The Bishop’s Ranch (if you look closely you can see the Chapel of St. George in the back).

 

Don’t delay follow those creative ideas buzzing around in your head let inspiration take over, you’ll be glad you let it rule the day!

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Detail of stitching on fabric photo montage


Getting the Word Out

Hey all, long time no blog… the pace of my life most definitely is speeding up the older I get! I’m just here to share a couple of things I’ve been working on. I have two technique articles out in a couple of national creative magazines. In Cloth Paper Scissors Magazine March/April issue I contributed an article about creating art on the iPad then printing on fabric and in Quilting Arts Magazine April/May issue I have an article about monoprinting on fabric and making an art quilt. I’m happy to be a contributor to these fine magazines it gives me the opportunity to share some of my mixed media trick and techniques with the wider world. You can get your hands on these magazines by following these links Quilting Arts Magazine & Cloth Paper Scissors Magazine.

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Here is one of the art quilts made from monoprint fabric that is featured in the Quilting Arts issue 92. I’m teaching a class on this technique “Gelli Print to Art Quilt in One Day” on Sunday March 25th  from 10am- 4pm at The Bishop’s Ranch in Healdsburg CA. There is still room for a few more creative explorers- to sign up email me at artist@lisathorpe.com or go to http://lisathorpe.com/classes.html to learn more.

275Horses-Gelli Print Quilt

If you can’t come to this class no worries I’d be happy to set up a custom workshop for you and your friends , your quilt guild, your women’s group – you can come to me or I can come to you – contact me to find out more – artist@lisathorpe.com


Knowing

A knowing look, a knowing smile…. the older I get the more I know I don’t know much. I don’t know the depths of someone’s pain, the meaning behind the smile, the gesture, the tone. The more I know the less certain I am of my certainty. That’s a good thing, I think. I’m teaching myself to be less judgmental, reminding myself I don’t really know what is behind or underneath the surface, that I can’t really walk in anyone’s shoes but mine. This painting is about the idea that the only way to know anyone or anything I must share myself – a laying bare, a nakedness, an openness. I’m thanking Eve in this painting; she is sharing the apple with me, telling me that to know any true thing at all I must share my true, naked self. I’ll try – the first bite is crisp and tart, sweet and juicy – like life, like love, like living.

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I am furiously painting for a November show at the Mendocino Art Center this Fall. This painting and more will be a part of my solo show there. The opening is November 11th 5-8pm if you happen to be a Mendocino resident I hope you’ll meet me there.

Check out my schedule of workshops for the next nine months – I hope you can join me and get your creative juices flowing. Creative Workshops


No Plans…a Hard Thing for a PRE-crastinator

265.gelli print collage

This collage in my Art Journal is the result of a morning of monoprint madness

I’m a pre-crastinator – that’s not a typo – I am the opposite of a pro-crastinator. This has its pluses and minuses. When you are a pre-crastinator like me you are always prepared and you always have a plan, and lots of times that is a great way to be. It can cause anxiety when a plan isn’t forming with others in my life or when I don’t have all the pieces together to get everything done. In terms teaching it is great because I always have the materials all set, my lesson plans printed, demos made hand outs ready etc all well before the class. But sometimes in art making, pre-crastination can block inspiration in the moment. So because of my proclivity for control I have forced myself to loosen up by working in mediums that have a life of their own. One that I have been re-exploring is mono-printing.

Mono-printing is where you ink up a plate (traditionally it was metal but I use a soft rubbery plate called a Gelli plate) then you create texture and interest with a variety of techniques. I have been using a tiny 4×6 inch gelli plate and creating a bunch of small prints in a color or textural theme. The size and the ease of the printing helps me break out of the plan and lets my inner pre-crastinator take a break. It’s easy to experiment and make 20 wee prints in a couple of hours. I have been printing on rice paper, tissue paper and book pages to great effect and when I’m done I have a stash pile of papers to play with – NO PLANNING REQUIRED!

Above is an example of play date I had with my gelli plate not too long ago. I took those pieces and cut them up to create this collage in my art journal. Pretty cool –right?

I guess the lesson is that it’s good to push up against your nature – your inner urges a little bit and make them uncomfortable, sometimes, something wonderful will come of it.

265b.gelli print collage

this collage uses more mono-prints printed on old letters, phone book and journal pages

PS. I’m teaching a Gelli print to Collage class and an Encaustic Collage class at Pokey Bolton’s Craft Napa event in January 2018 here is a link to info and registration. Sometime in July I’ll  post my fall 2017-2018 teaching line up for The Bishop’s Ranch – I hope I can meet you at one of those classes where you’ll meet my pre-crastinator self and maybe my inspirational pro-crastinator will come along for the ride too.