An Artist's Quest

monoprinting

The Art of the Problem

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I’m a problem solver. That’s who I am. If someone asks me if I can do something I usually say yes even if I don’t know how – yet…figuring it out is half the fun. For me art is like that. That’s why I’m forever trying out new mediums and materials, I want to figure it out and make it my own. When I have an idea to convey or a feeling to share I have to find a way to create it in physical, visual form. After my series of bird collages (see my last post), I was invigorated to set a new challenge.  I have decided to do a series of 24×36” fabric collages depicting endangered species of Sonoma County.  FUN! I have a new problem to solve. First, I had to do my research, make a list of endangered species in my area, then decide which to start with.  I chose the diminutive Mrytle’s Silverspot Butterfly found only on the Sonoma/Marin coast. I wanted my work to be informative but not completely literal and of course it has to be visually pleasing.  I also decided I only wanted to use fabrics that I have dyed, printed or stamped myself.  My butterfly subject helped me choose the color scheme.  Orange, rust and black from the butterfly and tans, and lavender and blue for the coastal bluff where they make their home.  I got to work marbling, stamping a dying fabric. For the butterfly images I used my iPad to create a digital watercolor that I printed out on cotton from my home printer. Once I had all my fabric, I began to lay out my composition. This is what I came up with.

I had so much fun with myself imposed problem I have started on my next subject – the very charming Salt Marsh Harvest Mouse – now I’m thinking green, grey, brown and blue thoughts while I puzzle over this next riddle. I promise to show you when I’m done.

I’m teaching several surface design and mixed media workshops in the coming weeks, check out my website to see if you can join it the fun! Upcoming creative workshops

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Allowing Failure to Lead You

I haven’t blogged in a while – I’ve gotten out of practice. The end of the year was busy with teaching and holiday’s and visitors. And the beginning of the year was busy with teaching and visitors and all the busy-ness of life. This past week I decided to create space for a making week. Not prepping for classes, not writing a magazine article, not preparing for a show – just making. For a long time now, I have felt that my creative endeavors are bifurcated. I have my paintings and mixed media work and I have my fabric work. My roots are deep into textiles and stitch but in the last 25 years my focus has been more on paint and collage. In the past 10 years I have been dipping more frequently into my fabric art persona connecting to the vast next work or quilters and quilt guilds. My one goal in my play date with my studio was to create something in the medium of fabric that is in the same voice as my paint/collage work.

To that end I set out sketching and planning. I dyed and printed, stitched and pieced, quilted and embroidered. After 4 days of this I stepped back and didn’t like it. I really didn’t like it. The scale was wrong the colors weren’t working, my heart sunk, my plan – kaput! I lay the three-foot by four-foot piece across my dining table and decided to sleep on it. In the morning it was clear to me that I needed to cut it all up and let go of my plan. I got out my ruler and rotary cutter and cut the piece up into 11×14 inch rectangles. I didn’t cherry pick, I just cut. All along I had planned to put wrens on my piece. I had already printed out my watercolor wrens onto cotton fabric and they told me they still wanted in on this piece. I pulled out two bins full of printed and stamped fabric from past adventures and let them talk to me. I started composing. Word from a psalm in that Sunday’s church service found their way in, a snippet of sheet music called out. A favorite rubber stamp I’d carved years ago of a bird in flight stated firmly it need to be included. My studio exploded – I worked furiously, with energy and joy and perhaps most importantly – no plan. I will say I am in love with these fabric collages. They feel like me. They feel like home, they feel real.

I am so glad I allowed myself to the space and time to create. I am so glad I allowed myself the space and time to fail. I am so glad I allowed myself the space and time to find contentment and my mature voice in this medium. Now my synapses are firing and tingling. What about natural dying? What about rust prints? What about a series on endangered species in Sonoma County? Oh the possibilities!

Take time for your own creative self. Let yourself fail, brood about it, then make something of it – remember that joy is meaningless without knowledge of struggle.

JUST GET OUT THERE AND MAKE YOUR ART


Making Connections…

 

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I Spy quilt made using 20 original stencils and gel plate print technique

Those of you who follow me know that I’ve got a million ideas and time for about 10 at a time. Some times my ideas are bigger than me and I don’t always reach out to make the connections I need to take an idea to another level. Because really there aren’t a whole lot of things we can do all by ourselves, and frankly, that’s a good thing. When we try to do things all on our own we don’t have the power of community, the power of family, the power of partnership – so things can only go so far. I’ve had this idea – well to be honest it’s not totally my idea – it’s an idea I’m borrowing and putting my own spin on.  It’s an idea that is all about connecting – connecting on so many levels… let me try to explain.

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Detail of quilt and matching cards

A few years ago I crossed the path of a woman making an “I Spy” quilt. Do you remember the game “I spy with my little eye”….? It started out as a game to pass the time especially on road trips, clues are given and the guessers guess until they get it right. So an “I Spy” quilt has blocks with different animals or object in each printed square of store bought fabric (Goggle it you’ll see some examples on Etsy). So the “I spy” game on a quilt is like the original but it’s a conversation piece for parent and child. It could also be a way to teach attachment parenting and build language skills (you might have guessed in another life I was preschool teacher).  So what if there could be a connection made between quilt guilds – who love to make quilts – and early childhood learning organizations for families in need?

I liked the quilt idea but I wanted the images to be more cohesive and original. So I created 20 silhouette stencils for a farm and garden theme quilt. Each block is a gelli print on cotton then stitched together. I had multiple prints of each block and my husband made the connection that a second matching game could happen. When I showed a friend she thought perhaps the words could be in Spanish (or I guess no words just instructions in multiple languages…might be better). What if I made this into a kit for quilt groups and friends to get together and print and make the quilts to share in their community? Wouldn’t that be a wonderful connection? These are my ideas – a few of millions – I think to really make this idea go anywhere I need to connect with all of you – any ideas? Do you have any connections? I spy with my little eye…. connections happening, wheels turning,  community in action…. let me know your thoughts.


My Life is a Wagon Wheel

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Huginn & Muninn mixed media on wood panel 24×48″

My life is a wagon wheel. What? A wagon wheel? Now hear me out. Those of you who have followed me for a while know, I am an artistic nomad – mixed media, encaustic, collage, painting, fabric art, quilting, clothing design. Sometimes I wish I could just stick with one thing. Maybe if I stuck with one thing, I would get really good at it, right? Focus for heaven’s sake! Find my inner Monet and paint a lily pond or hay stack over and over. I guess it’s obvious I’m no Monet, but I do love to make and create. If I don’t have a creative outlet, I’m a bear to live with, just ask my family. So here is my wheel analogy. Creativity, creative forces (perhaps God even?) is the center of the wheel. I am on the outer rim and each spoke of the wheel is a way in. I have to think and problem solve and imagine and create my way to the center. So each endeavor gives me another slice of my creative center, each attempt gets me closer to the whole or at least I’m betting on it working that way because that is who I am. Even if sometimes it is crazy making to juggle all these balls maybe one day one of those balls will plop down on my head and say “concentrate on me, go down my spoke only” but until then I will keep rolling on my wagon wheel theory of life.

This is a way to show you some of the things I’ve been working on – you may have noticed that I’m not walking down the blogging spoke of the wheel as often as I used to, here are a few reasons why.

Teaching:

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 workshop making icons for All Souls day at Incarnation Church in Santa Rosa

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2 day workshop creating Guardian Angels at The Bishop’s Ranch.

Writing:

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My latest article in Quilting Arts Magazine on creating fabric by the yard from small mono prints. Purchase magazine

Making: (see ravens at top of article)

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Mother Bear mixed media collage on canvas panel 11×14″

5.Home is where the heart is small

Art quilt part of a challenge donation put out by Quilting Arts magazine to give as gifts to homeless folks transitioning to permanent housing. 14×14″

Entrepreneurial endeavors:

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My work at Gallery 300 at The Barlow in Sebastopol CA

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Me, my print maker son Ivan, and blacksmith husband Jack at our Family Art Sale at The Bishop’s Ranch

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My line of Cashmere and Modal Scarves go to my website to see detail pictures and to purchase – Website

WOW- that’s a lot even for me! I’m always looking for new places to teach and share my creative energy so if you have any ideas for me let me know. Soon I’ll catch you up on my workshops in 2019.


Paying Homage to Serenity

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I used plants and some bird stencils i cut to create this quilt the result is almost as peaceful as the swaying redwood home where it will abide

I’ve been working on this quilt for about a month now and just finished.  I decided I wanted to make a quilt for our summer bed at our cottage in the redwoods.  I wanted to the quilt to fit with the environment so I set up to do some gelli printing printing in my driveway deep in the Redwoods of Cazadero. I used only plants surrounding the house; ferns, bracken, maple along with some bird stencils I made to invoke our flickering feathered friends. I made about forty 12×12 squares in indigo, teal and grey. A couple of weeks later I set up my sewing machine with a quilting group on retreat at The Bishop’s Ranch and got to stitching. This quilt catches the peaceful feeling of our beautiful redwood home, full of tranquil inspiration, making a functional art piece in a place of a place – serenity all wrapped up in a humble quilt!

PS. I wish this photo was taken in the redwoods instead of at The Bishop’s Ranch but I didn’t want to delay in sharing this with you!

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detail of printed quilt squares

I’ve been teaching gelli printing on fabric at The Bishop’s Ranch where I’m the resident artist- and I have some workshops lined up with several quilt guilds in the coming year- if you would like to arrange a print on fabric class here at the Bishop’s Ranch or wherever you are- contact me on to start planning!


Getting the Word Out

Hey all, long time no blog… the pace of my life most definitely is speeding up the older I get! I’m just here to share a couple of things I’ve been working on. I have two technique articles out in a couple of national creative magazines. In Cloth Paper Scissors Magazine March/April issue I contributed an article about creating art on the iPad then printing on fabric and in Quilting Arts Magazine April/May issue I have an article about monoprinting on fabric and making an art quilt. I’m happy to be a contributor to these fine magazines it gives me the opportunity to share some of my mixed media trick and techniques with the wider world. You can get your hands on these magazines by following these links Quilting Arts Magazine & Cloth Paper Scissors Magazine.

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Here is one of the art quilts made from monoprint fabric that is featured in the Quilting Arts issue 92. I’m teaching a class on this technique “Gelli Print to Art Quilt in One Day” on Sunday March 25th  from 10am- 4pm at The Bishop’s Ranch in Healdsburg CA. There is still room for a few more creative explorers- to sign up email me at artist@lisathorpe.com or go to http://lisathorpe.com/classes.html to learn more.

275Horses-Gelli Print Quilt

If you can’t come to this class no worries I’d be happy to set up a custom workshop for you and your friends , your quilt guild, your women’s group – you can come to me or I can come to you – contact me to find out more – artist@lisathorpe.com


No Plans…a Hard Thing for a PRE-crastinator

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This collage in my Art Journal is the result of a morning of monoprint madness

I’m a pre-crastinator – that’s not a typo – I am the opposite of a pro-crastinator. This has its pluses and minuses. When you are a pre-crastinator like me you are always prepared and you always have a plan, and lots of times that is a great way to be. It can cause anxiety when a plan isn’t forming with others in my life or when I don’t have all the pieces together to get everything done. In terms teaching it is great because I always have the materials all set, my lesson plans printed, demos made hand outs ready etc all well before the class. But sometimes in art making, pre-crastination can block inspiration in the moment. So because of my proclivity for control I have forced myself to loosen up by working in mediums that have a life of their own. One that I have been re-exploring is mono-printing.

Mono-printing is where you ink up a plate (traditionally it was metal but I use a soft rubbery plate called a Gelli plate) then you create texture and interest with a variety of techniques. I have been using a tiny 4×6 inch gelli plate and creating a bunch of small prints in a color or textural theme. The size and the ease of the printing helps me break out of the plan and lets my inner pre-crastinator take a break. It’s easy to experiment and make 20 wee prints in a couple of hours. I have been printing on rice paper, tissue paper and book pages to great effect and when I’m done I have a stash pile of papers to play with – NO PLANNING REQUIRED!

Above is an example of play date I had with my gelli plate not too long ago. I took those pieces and cut them up to create this collage in my art journal. Pretty cool –right?

I guess the lesson is that it’s good to push up against your nature – your inner urges a little bit and make them uncomfortable, sometimes, something wonderful will come of it.

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this collage uses more mono-prints printed on old letters, phone book and journal pages

PS. I’m teaching a Gelli print to Collage class and an Encaustic Collage class at Pokey Bolton’s Craft Napa event in January 2018 here is a link to info and registration. Sometime in July I’ll  post my fall 2017-2018 teaching line up for The Bishop’s Ranch – I hope I can meet you at one of those classes where you’ll meet my pre-crastinator self and maybe my inspirational pro-crastinator will come along for the ride too.